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Art Blakey & The Jazz Messengers - Olympia Concert - Sam LP { Vinyl LP }

Art Blakey & The Jazz Messengers - Olympia Concert - Sam LP { Vinyl LP }

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  • Re-mastered from the original mono master tapes.
  • Cut by Kevin Gray at Cohearent Mastering.
  • Vinyl pressed by Optimal in Germany.
  • Tip-on deluxe gatefold sleeve with photos by Jean-Pierre leloir.
  • Each records has been visually checked to prevent defects.
  • 2 LPs-set.
    Recorded in Paris, November 22 and December 17, 1958.
    Original issues: LP Fontana 680.202 ML & EP Fontana 460.642 MR.

    ā€I’ve never played for such an audienceā€ declared Art Blakey in tears. lt was November 22nd, 1958, and he’d just come offstage after one of the ā€œJazz Wednesdaysā€ concerts at the Paris Olympia. For a first appearance by the ā€œJazz Messengersā€, they’d made quite an impression. Not content with pulling a huge crowd off the Boulevard des Capucines (the demand was so great that a second concert had to be staged on December 17th), they’d converted everybody to the ā€œHard Bopā€ religion in two sets where, united in a kind of exultant communion, jazzmen,Ā  jazzophiles and curious bystanders alike had been crushed together in high spirits, paying no attention to the presence of Brigitte Bardot escorted by Sacha Distel. That night Blues March had almost replaced the Marseillaise anthem (and Moanin’ the Oignons). Yet none of the Messengers had ever been to Paris. They’d get to that later, and then some, but for the moment they were perfect strangers. Not only strangers to the public, but unknown even to a sizeable group of jazz fans : the next issue of ā€œJazz Hotā€ magazine (most of it devoted to them) arrived like an invasion by the carabimeri… the blaze lit at the Olympia had gone out, of course, and Blakey had moved into the ā€œClub St. Germainā€ to light others; there, each of his gigs could have been a remake of the famous cabin scene in the Marx Brothers’ ā€œA Night At The Operaā€ā€¦

    Among the Messengers’ ā€œgreatest hitsā€, only Moanin’ came close to Blues March. Constructed in the manner of a gospel, with the piano in the role of the preacher, and the orchestra that of the congregation, punctuating the sermon with shouts of approval, the theme was by pianist Bobby Timmons, whose fiery spirit can be explained by his educayion: ā€œā€¦ the fact I played rhythm ā€˜n’ blues had a great influence on my style, and for me, it’s the foundation of jazz.ā€ Moanin’ had sent the Olympia fans Into transports of delight, and even excited the curiosity of Hugues PanassiĆ©, who chanced to be passing by (ā€œBopā€, in any form, being hardly his cup of tea) : he was prompted to go backstage and ask what it was he’d heard… Decidedly, in 1958, the Jazz Messengers were miracle-workers!

    Text by Alain Tercinet

    Lee Morgan (Trumpet)
    Benny Golson (Tenor Saxophone)
    Bobby Timmons (Piano)
    Jimmy Merritt (Bass)
    Art Blakey (Drums)

    Side A

    • Just by MyselfĀ  4’20
    • I Remember CliffordĀ  5’20
    • Are you RealĀ  10’02

    Side B

    • Moanin’  12’46
    • JusticeĀ  9’15

    Side C

    • Blues MarchĀ  6’15
    • Whisper NotĀ  6’42
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